Reviewed by Eric Saeger Caveat emptor if you’re looking for a primer on the steampunk genre; this is actually a mildly experimental jazz quartet. I was drawn more to this by the promise of some modicum of electro (from the laptop of most-of-the-time bassist Rene Hart), however the bulk of this, to further shy away […]
Young Widows: In and Out of Youth and Lightness (Temporary Residence Records)
Reviewed by Eric Saeger This Lousiville noise-rock trio sound like a tank-led mop-up operation during wartime, depressing drone punctuated by metallic guitar stompings. They’re in line with the Temporary Residence stable insofar as comprising a dark yin to the moderately more agreeable yang of Explosions in the Sky, but this could have fit just fine […]
Tim Larson and The Owner Operators: A New Deal (American Pharaoh Records)
Reviewed by Eric Saeger “Survival is the new American dream,” sings Larson on ‘Own to Rent’, the bummed-down rocker that opens this LP, and even the most ADD-afflicted cynic has to stop in the face of it. An asphalt worker in a past life and formerly of Irish band The Drovers, Larson does know first-hand […]
If By Yes: Salt On Sea Glass (Chimera Music)
Reviewed by Eric Saeger Zero 7-style chill in unrequited search of a hook. Part-time Decemberist Petra Haden and her violin have experimented with a lot of things, perhaps too many; after hearing this – which should have been titled ‘Variations on Girl From Ipanema For Overeducated Soccer Moms’ – I can state without reservation that […]
Andrea Wood: Dhyana (self-released)
Reviewed by Eric Saeger Usually the arrival of a CD from a white chick jazz singer with actress-level good looks elicits expectations of not much whatsoever, and oh my God, it’s a Sanskrit title. Thus it was with much surprise that I found myself falling over myself with positives to blabber about this debut LP […]
The Soma Records Story
Robert O’Connor revisits the Minneapolis label, home to 60s psych-trash novelty hits ‘Surfin’ Bird’ and ‘Liar, Liar’ “Everybody’s heard about the bird,” the song begins. Peter from Family Guy heard the song and it became his new favorite thing in the world. He annoys everyone by singing and dancing along with the song until Stewie […]
Mystéfy: Me (Silversonic Records)
Reviewed by Eric Saeger I was prepared to rain the wrath of God on this LP for lots of reasons. For one, this is an obviously upper-crust-coddled German lady who lives in Canada (it really couldn’t get more hedge-your-bets-bohemian than that, let’s face it). Two, she gave herself a pretty stuffy mononym, and, three, her […]
Mark Wonder: True Stories of Mark Wonder (Groove Attack Records)
Reviewed by Eric Saeger This to-date retrospective of the Jamaica-born reggae guy begins with the not-really-representatively-poppy ‘So Long’ as guested by Luciano, whose turn is more unplugged-Big Mountain-like than anything else on here, which, in the main, sticks to the roots, ganja-puff skank to rasta-babbling hard stuff to tourist-trap what-me-worry one-drop adventurousness. Ziggy Recado’s trumpet-like […]
Brulee: New Beginnings (CDBY Records)
Reviewed by Eric Saeger Unadventurous cocktail-jazz sung impeccably by three-octave-ranging newcomer Julie Weiner with occasional vocal spots from pianist Doug Onstadt. I like that Weiner isn’t afraid to walk the wire, even with such clinical, stale production. Within these dishwasher-safe by-the-book tinklings she wrings out her lungs on a few long-held high notes, scats without […]
Nasar Abadey and Supernova: Diamond in the Rough (CDBY Records)
Reviewed by Eric Saeger The 2nd full-length from Williams/Roach-inspired jazz drummer Abadey isn’t a showcase for his drumming technique so much; what sticks out for me in that regard is a deep fetish for extended cymbal-splashing. His off-kilter, angular snare-shots go well enough with the (often Minus-like when it isn’t being, in general, 80s-throwback-ish) modal […]
Voice of Addiction: Re-Evolution (D!i!Y! Records)
Reviewed by Eric Saeger The resurfacing of this Chicago punk trio’s 6-songer from 2008 marks a revving up of their overall PR campaign, for what that’s all worth, which is, actually, a lot, considering that they’re flying into the wind of modern punk, that over-processed nonsense that’s really about as punk as Katie Couric interviewing […]
Curtis Macdonald: Community Immunity (Greenleaf Music)
Reviewed by Eric Saeger With an overabundance of alto-sax-player competition in the jazz world, Macdonald knows he has to come out of the gates wailing in this debut LP. The title track opens things in progressive dinner-jazz fashion, Macdonald and pianist David Virelles moving through its complicated, well-written melodies with aplomb. Wonky weirdness is important […]
The Shape of Sound: Shannon Novak
Sourav Roy interviews New Zealand artist Shannon Novak about the history of synesthesia and how his practice focuses on the relationship between sound, colour, form, time, and social context Just what shade of orange is a hemidemisemiquaver? If you could hear a Mondrian, what would it sound like? The works of Shannon Novak, an emerging […]
Little Tybee: Humorous to Bees (Paper Garden Records)
Reviewed by Eric Saeger Like an airier, less in-your-face James Blunt, singer Brock Scott leads this alt-folk quintet into a sound that evokes angels dancing on the head of a pin, tempering progressive, complicated statements with chill mix levels in a combination that might best be described as Vampire Weekend vs Blind Melon. A lot […]
Soren Moller: Christian X Variations (Audial Records)
Reviewed by Eric Saeger Pegged for convenience’s sake as a jazz artist, this Dutch piano guy often sounds more New York than anything you’ve ever heard, as evidenced on the post-bop burnfest ‘Kvartet II’, which gets some pretty whizzer beatnik drums from the concrete-solid Henry Cole and as well from sax-player Dick Oatts. The good […]
Mike Gibbons: Marigolds: The Bangkok Sessions (self-released)
Reviewed by Eric Saeger Sounding like a more controlled Conor Oberst, Gibbons often comes off a bit loud over this strummy Americana-rock, but the tunes themselves make up for any questions about the mixing levels. Perhaps one reason his lines are so adamant is a psychic needs to be heard over the Red Shirt violence […]
The Hit Back: Who Are These Weird Old Kids (Sidedown Audio)
Reviewed by Eric Saeger Mixed bag, thy name is The Hit Back. At the start this DIY album behaves like most of your basic quirk-electropop records, endlessly inviting, understated electro-twee in the manner of Here We Go Magic’s more subtle material, stuff that’s considered electro-folk for lack of a more imaginative term; it’s simply very […]
Frank Butrey: Malicious Delicious (Lust For Toys Recordings)
Reviewed by Eric Saeger Puttering, burning and filibustering from the Philly-based jazz guitarist. Somewhat typical example of this sort, power trio setup as jazz outfit, with Butrey switching deftly enough from Carlos Santana doodling to flamenco-plucking, then over to di Meola Weather Channel stuff, but the goal appears to be self-fulfillment over resumé, particularly when, […]
Orchestre National de Jazz: Shut Up and Dance (Bee Jazz Records)
Reviewed by Eric Saeger From the title you might deduce either a) weirdo indie techno or b) epic hipness fail by old dudes. Actually it’s neither, this large-scale prog-jazz project. It could be more rightly assumed that the word ‘dance’ really means ‘play’ in this context, as the scope of these ten mini-concertos allows for […]
Ship Shape: We Are Augustines
Fresh off their tour with The Boxer Rebellion, Russell Mardell interviewed Billy McCarthy from Brooklyn’s We Are Augustines in the wake of their album Rise Ye Sunken Ships Brooklyn based trio We Are Augustines bring their album Rise Ye Sunken Ships to the world this June, and for singer/guitarist Billy McCarthy and bassist Eric Sanderson, […]
Farewell Continental: Hey Hey Pioneers (Paper+Plastic Records)
Reviewed by Eric Saeger This Minneapolis alt-rock quintet have an embarrassment of riches in that they can sound exactly like many popular acts of both the present and the not-crazily-distant past, such as first-album OK Go, Snow Patrol, Killers and stuff, not to mention singer/keys chick Kari Gray’s gold-medal-level karaoke of Dolores O’Riordan. There’s a […]
Yellowbirds: The Color (Royal Potato Family Records)
Reviewed by Eric Saeger Someday, the Royal Potato Family company is going to own Bonnaroo. You can always count on friendly, distinctly American, blatantly flawed records from them, like this spinoff LP from Apollo Sunshine’s Sam Cohen. Yellowbirds are from Boston, so there’s some Berklee-drop out guitar solos that absolutely blow doors, and they’re also, […]
Hate Eternal: Phoenix Amongst the Ashes (Metal Blade Records)
Reviewed by Eric Saeger Although sporting much better production than they’re used to, this Florida death metal outfit doesn’t need it as much as bands like Nile do. Riff-wise, this is quite experimental in a sense, with guitarist/frontman Erik Rutan trying to find the longest route between two adjacent notes in a (heavy-ass) scale, sort […]
Mia Doi Todd: Cosmic Ocean Ship (City Zen Records)
Reviewed by Eric Saeger There’s a certain kind of New Ager who’d dig Mia Doi Todd, whose voice is a cross between Annie Lennox and Joan Baez. And then there’s folks like me, who don’t lose sleep over not having any new music that sounds like the singer is battling tooth and nail just to […]
Primordial: Storm Before Calm (Metal Blade Records)
Reviewed by Eric Saeger Proffering their (relative) Irishness to the ever-eager whitey masses comes Primordial, one of the more interesting power-sludge bands to be heard nowadays, owing to a slightly wonkish nod to their heritage. But only slightly; this ain’t Glengarry Bhoys, it’s what the kids call ‘extreme metal’ with a great marketing angle – […]