Reviewed by Eric Saeger
The rate at which Chicago indie WTII has been wailing on Metropolis Records in the fight for the goth dollar has been noticeable lately, and now itâ€™s even happening in the 80s-pop sideshow thatâ€™s becoming more and more a part of the action. The third album from this Swedish band is short on volume but long on content, featuring some super-catchy ideas in the vein of Depeche Mode and New Order (the hypnotic, mission-critical bass lines are handled by the son of ABBAâ€™s old bassplayer), the perfect amount of subterranean noise loopage â€“ I dunno, itâ€™s what Iâ€™d do if I were in band like this, thus your own mileage may vary. The one downside is that the sound itself is derivative, but thatâ€™s the least of peopleâ€™s worries when theyâ€™re hunting for good neo-80s vampire music. But song-wise, where things are made or broken, itâ€™s a flawless victory, most notably Adorable and Half the Double Speed, which allude to Sisters of Mercy without being at all clone-like.